This is an online event hosted by Zoom via Rye Free Reading Room in Rye, NY, United States.
Sponsored by: AIA-Westchester Society / NYU Westchester Alumni Society
Register (required) for the lecture at: https://www.eventkeeper.com/code/ekform.cfm?curOrg=RFRR&curID=438396
You will be asked for your name and email address. After you register you will receive a confirmation. You also will receive a reminder the day before the talk and when the talk begins.
ISAW is pleased to present A Wonder to Behold, an exhibition exploring ancient ideas about craftsmanship and the power of clay, glass, and stone through the display of the surviving fragments of Babylon’s iconic Ishtar Gate and Processional Way. Featuring close to 150 brightly-colored large and small scale artworks from across the ancient Near East, together with raw materials in a variety of stages of workmanship, the exhibition considers the creation of sacred spaces and objects, including monuments, divine statues, items of personal adornment, and more. ISAW’s exhibition demonstrates how seemingly mundane materials were actually potent substances further transformed by expert craftspeople into a propitious and protective monument.
Made of thousands of molded and glazed clay bricks, Babylon’s Ishtar Gate and its affiliated Processional Way featured a multicolored array of divine beasts brought to life by craftspeople through the use of magical materials. Ancient Near Eastern master craftspeople were not only skilled technicians, but also artists, historians, and ritual practitioners who, along with other scholars and specialists, were known as “experts” (ummânū). Craftspeople were capable of creating artworks that manifested divine powers on earth, and the Ishtar Gate, offering entry into the imperial city, was designed to be one such magically activated monument. Representing the culmination of centuries of religious thought, technological discoveries, and artistic innovations from across the ancient Near East, Babylon’s Ishtar Gate is a testament to the transformative powers of materials and making. The monument remains, in the words of Nebuchadnezzar II (r. 604-562 BCE), who commissioned it, a “wonder” to behold.
Anastasia Amrhein is a guest curator at the Institute for the Study of the Ancient World at New York University. She is an art historian specializing in the ancient Near East and a PhD candidate at the University of Pennsylvania.
Elizabeth Knott is a guest curator at the Institute for the Study of the Ancient World at New York University. She is a historian specializing in the textual and visual remains of the ancient Near East and holds a PhD from New York University.