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UID:10006367-1650412800-1672531199@www.archaeological.org
SUMMARY:Cochineal: How Mexico Made the World See Red (Online Exhibit Spotlight) / Cochinilla: Cómo México Hizo que el Mundo Viera el Rojo (Exposición en Línea)
DESCRIPTION:Cochineal\, a tiny insect found on certain species of Oaxacan cacti\, was harvested for millennia by Indigenous peoples to dye fabrics a vibrant red color. But following the European invasion of the Americas in the sixteenth century\, it became a widely coveted\, globally traded commodity that transformed textiles and art\, and made Mexico a center for technological innovation. Cochineal: How Mexico Made the World See Red explores how this Indigenous technology changed the world\, becoming an international symbol of power\, while simultaneously disenfranchising its discoverers. \nLa cochinilla\, un diminuto insecto que se encuentra en ciertas especies de cactus oaxaqueños\, fue cosechada durante milenios por los pueblos indígenas para teñir las telas de un vibrante color rojo. Pero tras la invasión europea de las Américas en el siglo XVI\, se convirtió en un producto ampliamente codiciado y comercializado a nivel mundial que transformó los tejidos y el arte\, y convirtió a México en un centro de innovación tecnológica. Cochinilla: Cómo México Hizo que el Mundo Viera el Rojo explora cómo esta tecnología indígena cambió el mundo\, convirtiéndose en un símbolo internacional de poder\, al tiempo que privaba de derechos a sus descubridores.
URL:https://www.archaeological.org/event/cochineal-how-mexico-made-the-world-see-red-online-exhibit-spotlight-cochinilla-como-mexico-hizo-que-el-mundo-viera-el-rojo-exposicion-en-linea/
LOCATION:Harvard Museums of Science & Culture (Virtual)\, 26 Oxford St.\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.archaeological.org/wp-content/uploads/2022/04/Dactylopius_coccus_02_600x400.png
ORGANIZER;CN="Harvard Museums of Science &amp%3Bamp%3B Culture":MAILTO:hmscpr@hmsc.harvard.edu
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220816
DTEND;VALUE=DATE:20230109
DTSTAMP:20260414T140610
CREATED:20220817T130920Z
LAST-MODIFIED:20220913T032417Z
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SUMMARY:The Odyssey: A Retelling
DESCRIPTION:The Parthenon and Centennial Park Conservancy are proud to present The Odyssey: A Retelling\, by Lisa Bachman Jones in the East Gallery of the Parthenon from June 23 through January 8. \nJones is a Nashville-based artist interested in entropy and interconnectivity. Working across disciplines\, she investigates the everyday through a lens of care. \nIn preparation for A Retelling Jones read Emily Wilson’s 2017 translation of Homer’s epic poem The Odyssey. The exhibition highlights the hospitality of the overlooked identities that made Odysseus’ long journey home possible. The body of work incorporates a wide range of media and techniques\, which echoes the number of communities\, locations\, actions and objects that paved the way for the classic homecoming. \nReflecting on the exhibit Jones notes the significance of the gallery’s location within the Parthenon\, which prompted the concept for A Retelling. The Parthenon in Athens\, Greece was a place for offering thanks to and soliciting help from Athena. The goddess is a constant in the poem; orchestrating events and guiding encounters. This body of work presents an opportunity to reflect upon those who we receive support from and those to whom we extend our support. \nThank you to the Sandra Schatten Foundation\, Tennessee Arts Commission\, National Endowment for the Humanities\, Memorial Foundation\, Jackson\, Humanities Tennessee\, Metro Parks\, and Centennial Park Conservancy for underwriting the Parthenon’s exhibition and educational programming. The content of Parthenon exhibitions do not necessarily represent the views of our partners and underwriters.
URL:https://www.archaeological.org/event/the-odyssey-a-retelling/
LOCATION:The Parthenon\, 2500 West End Ave\, Nashville\, TN\, 37203\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.archaeological.org/wp-content/uploads/2022/08/Dishes-2.jpg
ORGANIZER;CN="Katie Petrole":MAILTO:katherine.petrole@nashville.gov
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221124
DTEND;VALUE=DATE:20221128
DTSTAMP:20260414T140610
CREATED:20220218T131215Z
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SUMMARY:ScapeCon 2022 "No (e)scape from bits and pieces - Towards an archaeology of fragmentation in the Aegean Bronze Age"
DESCRIPTION:In the fifth international installment of ScapeCon\, we invite early career scholars to explore the concept of fragmentation in Aegean Bronze Age archaeology. From a hermeneutical perspective\, a fragment can be various things: (1) any kind of (deliberately or unintentionally) broken or incomplete object\, element\, or feature that once formed part of a greater whole\, such as an artifact\, material assemblage\, or socio-cultural context; but also (2) gaps in the archaeological data resulting in an insufficient knowledge of the context of any given object\, element\, or feature\, even when this tangible entity appears fully preserved. Fragmentation can thus be tangible or intangible but is always relationally connected to a greater whole. At this conference\, we invite papers that discuss both aspects of material and immaterial fragmentation within the three main sessions of people\, material culture\, and archaeological data. We encourage interdisciplinary approaches to contribute to the discussion on these topics.
URL:https://www.archaeological.org/event/scapecon-2022-no-escape-from-bits-and-pieces-towards-an-archaeology-of-fragmentation-in-the-aegean-bronze-age/
LOCATION:UCLouvain\, Pl. de l'Université 1\, Ottignies-Louvain-la-Neuve\, Wallonia\, 1348
CATEGORIES:Conference
ATTACH;FMTTYPE=image/png:https://www.archaeological.org/wp-content/uploads/2022/02/Unbenannt.png
ORGANIZER;CN="Diana Isabell Wolf":MAILTO:scapecon2022@gmail.com
GEO:50.6698599;4.6151258
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