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DTSTART;TZID=America/Los_Angeles:20230312T150000
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DTSTAMP:20260411T184231
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SUMMARY:Roman Egyptian Mummy Portraits and the Artistic Circle of the St. Louis Painter
DESCRIPTION:The American Research Center in Egypt\, Northern California Chapter\, and the Near Eastern Studies Department\, University of California\, Berkeley\, invite you to attend a lecture by Dr. Branko van Oppen\, Tampa Museum of Art: \nRoman Egyptian Mummy Portraits and the Artistic Circle of the St. Louis Painter \nSunday\, March 12\, 2023\, 3 PM Pacific Daylight Time\nRoom 20 Social Sciences Building (formerly Barrows Hall)\nUC Berkeley \nDaylight Savings Time Begins March 12. \nAbout the Lecture: \nIn his publications Mummy Portraits in the J. Paul Getty Museum (1982)\, David L. Thompson attributed three Roman Egyptian funerary portraits to the same artist\, whom he named the St. Louis Painter on the basis of a portrait of an elderly woman in the St. Louis Art Museum (SLAM inv. no. 128:1951; Thompson 1982\, pp. 20–22\, figs. 35–37). Without further information\, Thompson acknowledged that “a number of other portraits are related to those by the St. Louis Painter and some to each other by these differences\,” and dated the activity of the artist’s workshop to around 300 CE. Before and since\, several other scholars have recognized the stylistic similarities between about a dozen funerary portraits from ancient Philadelphia (confusingly still called “Rubayat”) with estimated dates ranging between 165-350 CE. \nThis paper will re-examine the attribution of the portrait panels to the St. Louis Painter (also known as the Würzburg Painter)\, and suggest that some two dozen examples can be assigned to this anonymous painter\, workshop or circle. Stylistic elements by which these paintings can be grouped together include a distinctively graphic hatching style. The portraits generally lack a sense of depth and perspective\, though some foreshortening is often indicated on the left side of the face. The basic outline is usually drawn with a broader brush\, while the individual details are applied with a thinner brush. The outline tends to follow basic physiognomic proportions that are not only common with other Roman Egyptian portraits\, but with Roman portraits from contexts such as the wall paintings of Pompeii and Herculaneum. \nAbout the Speaker: \nDr. Branko F. van Oppen de Ruiter is the Richard E. Perry Curator of Greek & Roman Art at the Tampa Museum of Art. He received his PhD in ancient history from The City University of New York (’07)\, where he specialized in queenship during the period from Alexander the Great to Cleopatra. Before coming to Tampa\, van Oppen worked for five years at the Allard Pierson Museum\, Amsterdam. His academic interests further include clay seal impressions\, animals in ancient material culture\, Romano-Egyptian funerary portraits\, as well as ancient religion and art history in general. \n———————- \nParking is available in UC lots all day on weekends\, for a fee. Ticket dispensing machines accept debit or credit cards. Parking is available in lots around the Social Sciences Building\, and in lots along Bancroft. A map of the campus is available online at http://www.berkeley.edu/map/ \nAbout ARCE-NC: \nFor more information\, please visit https://facebook.com/NorthernCaliforniaARCE/\, https://twitter.com/ARCENCPostings\, https://khentiamentiu.org\, or https://arce-nc.org/. To join the chapter or renew your membership\, please go to https://www.arce.org/general-membership and select “Berkeley\, CA” as your chapter when you sign up.
URL:https://www.archaeological.org/event/roman-egyptian-mummy-portraits-and-the-artistic-circle-of-the-st-louis-painter/
LOCATION:ARCE Egyptology Lectures Room 20 Social Sciences Building\, University of California\, Berkeley\, CA\, 94720\, United States
CATEGORIES:Lecture
ATTACH;FMTTYPE=image/jpeg:https://www.archaeological.org/wp-content/uploads/2023/02/SLAM20128-51_lr.jpg
ORGANIZER;CN="Glenn Meyer":MAILTO:arcencZoom@gmail.com
GEO:37.8718992;-122.2585399
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DTSTART;TZID=America/Chicago:20230312T150000
DTEND;TZID=America/Chicago:20230312T170000
DTSTAMP:20260411T184231
CREATED:20221216T141213Z
LAST-MODIFIED:20221216T141213Z
UID:10006791-1678633200-1678640400@www.archaeological.org
SUMMARY:Rural Landscapes\, Archaeological Fieldwork\, and Cultural Heritage Destruction in Turkey
DESCRIPTION:Dr. Ömür Harmanshah\, Director\, The School of Art & Art History and Associate Professor of Art History\, The University of Illinois at Chicago\, will present the AIA’s Nancy Wilkie Lecture in Archaeological Heritage for the AIA-Milwaukee Society\nArchaeological remains and landscapes are witnesses to deep time histories\, yet they have increasingly been victims of targeted destruction as well as practices of looting in recent decades. Cultural heritage is always entangled with the politics of the environment\, while heritage is always understood as a resource at risk waiting for a salvage operation. A major challenge for archaeologists today is that they have to serve as chroniclers of the unprecedented levels of heritage destruction under the current regime\, and to contextualize this destruction within the conditions of precarity\, extraction\, and dispossession\, which are different forms of environmental injustice. Late capitalist management of landscapes in the contemporary Turkish countryside have created disposable landscapes of extreme extraction and large-scale excavation. In his talk\, Dr. Harmanshah will focus on various practices of heritage destruction in the western part of Konya province where the Yalburt Yaylası Archaeological Landscape Research Project has been documenting ancient and historical settlements and landscape features\, while also keeping an account of ongoing heritage destruction since 2010. He will argue that on the ground fieldwork as a creative practice and collaboration with local heritage communities are essential to perform such work as compared to remote sensing methods.
URL:https://www.archaeological.org/event/rural-landscapes-archaeological-fieldwork-and-cultural-heritage-destruction-in-turkey/
LOCATION:University of Wisconsin-Milwaukee\, Sabin Hall Room G90\, 3413 North Downer Ave.\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:AIA Lecture Program,Lecture
ATTACH;FMTTYPE=image/jpeg:https://www.archaeological.org/wp-content/uploads/2022/12/Sangir-Magaza-Konya-Province-Turkey.-Late-Hellenistic-Early-Roman-Sinkhole-Sanctuary.-Yalburt-Yaylasi-Archaeological-Landscape-Research-Project-2010..jpg
ORGANIZER;CN="Jane Waldbaum":MAILTO:waldbaum@wi.rr.com
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