National Lecture Program

AIA Lecturer: Zainab Bahrani

Affiliation: Columbia University

Zainab Bahrani is the Edith Porada Professor of Art History and Archaeology and Chair of the Department of Art History at Columbia University. She writes on ancient art and philosophical aesthetics, the history and politics of archaeology, collecting and the modernist and contemporary art and architecture of Iraq. She has also published widely on the destruction of historical heritage in war and occupation. Bahrani directs the Mapping Mesopotamian Monuments projects to document and conserve historical architecture and rock reliefs in Iraqi Kurdistan, northern Iraq, and southeastern Turkey. Since 2019 she has been the Director of the Bahdinan-Mosul Gate conservation project in Amadiya/Amedi in Iraqi Kurdistan.

Bahrani is the author of several books including Women of Babylon: Gender and Representation in Mesopotamia (Routledge, 2001), The Graven Image: Representation in Babylonia and Assyria (University of Pennsylvania, 2003), Rituals of War (Zone/MIT, 2008) which won the American Historical Association Prize, and The Infinite Image: Art, Time and the Aesthetic Dimension in Antiquity (Reaktion/University of Chicago, 2014) which won the Lionel Trilling Prize, and Mesopotamia: Art and Architecture (Thames and Hudson, 2018). She is also editor and co-author of volumes written to accompany her co-curated exhibitions: Scramble for the Past: A Story of Archaeology in the Ottoman Empire 1753-1914 (Istanbul, 2011) and Modernism and Iraq (New York, 2009). Her new book is, War Essays, UCL Press, 2025. Distinctions include election to the Slade Professorship at Oxford, and awards form the Getty Foundation, the Mellon Foundation, a 2003 Guggenheim, and a 2019 Carnegie award. In 2020 she was elected to the American Academy of Arts & Sciences.

Abstracts:


The history of archaeology as a scientific discipline has received a great deal of attention in recent years. As a result of extensive archival research and the reading of archives against the grain, alternative or indigenous archaeologies and earlier forms of relationships to the past—such as antiquarianism—have also begun to receive more serious scholarly attention. Since the 1990s, Zainab Bahrani’s scholarship has contributed to these historical directions in archaeology. She now augments archival and theoretical work with fieldwork, presenting some of the archaeological evidence of millennia of preservation and conservation practices in the landscape of Iraq and Iraqi Kurdistan. 

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